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GREAT MOMENTS IN AMERICAN HISTORY (#17):
On November 13, Felix Unger was asked to remove himself from his place
of residence.
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| Linux Art: 101 of 460 |
Grig (the navigator):
... so you see, it's just the two of us against the entire space
armada.
Alex (the gunner):
What?!?
Grig: I've always wanted to fight a desperate battle against
overwhelming odds.
Alex: It'll be a slaughter!
Grig: That's the spirit!
-- The Last Starfighter
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| Linux Art: 102 of 460 |
H. L. Mencken suffers from the hallucination that he is H. L. Mencken --
there is no cure for a disease of that magnitude.
-- Maxwell Bodenheim
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| Linux Art: 103 of 460 |
"Hawk, we're going to die."
"Never say die... and certainly never say we."
-- M*A*S*H
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| Linux Art: 104 of 460 |
He played the king as if afraid someone else would play the ace.
-- John Mason Brown, drama critic
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| Linux Art: 105 of 460 |
He was a fiddler, and consequently a rogue.
-- Jonathon Swift
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| Linux Art: 106 of 460 |
"Hello," he lied.
-- Don Carpenter, quoting a Hollywood agent
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| Linux Art: 107 of 460 |
Hello. Jim Rockford's machine, this is Larry Doheny's machine. Will you
please have your master call my master at his convenience? Thank you.
Thank you. Thank you. Thank you. Thank you. Thank you.
-- "The Rockford Files"
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| Linux Art: 108 of 460 |
Hi Jimbo. Dennis. Really appreciate the help on the income tax. You wanna
help on the audit now?
-- "The Rockford Files"
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| Linux Art: 109 of 460 |
Hoaars-Faisse Gallery presents:
An exhibit of works by the artist known only as Pretzel.
The exhibit includes several large conceptual works using non-traditional
media and found objects including old sofa-beds, used mace canisters,
discarded sanitary napkins and parts of freeways. The artist explores
our dehumanization due to high technology and unresponsive governmental
structures in a post-industrial world. She/he (the artist prefers to
remain without gender) strives to create dialogue between viewer and
creator, to aid us in our quest to experience contemporary life with its
inner-city tensions, homelessness, global warming and gender and
class-based stress. The works are arranged to lead us to the essence of
the argument: that the alienation of the person/machine boundary has
sapped the strength of our voices and must be destroyed for society to
exist in a more fundamental sense.
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