Freebsd Fortunes 4

Hit them biscuits with another touch of gravy,
Burn that sausage just a match or two more done.
Pour my black old coffee longer,
While that smell is gettin' stronger
A semi-meal ain't nuthin' much to want.

Loan me ten, I got a feelin' it'll save me,
With an ornery soul who don't shoot pool for fun,
If that coat'll fit you're wearin',
The Lord'll bless your sharin'
A semi-friend ain't nuthin' much to want.

And let me halfway fall in love,
For part of a lonely night,
With a semi-pretty woman in my arms.
Yes, I could halfway fall in deep--
Into a snugglin', lovin' heap,
With a semi-pretty woman in my arms.
                -- Elroy Blunt

Hitchcock's Staple Principle:
        The stapler runs out of staples
        only while you are trying to staple something.

Hitler used methods against white men in Europe, which by tacit
agreement between the cultural European nations were only to be
used against the coloured.
                -- Poul Henningsen [1894-1967]

H.L. Mencken suffers from the hallucination that he is H.L. Mencken.
There is no cure for a disease of that magnitude.
                -- Maxwell Bodenhein

H.L. Mencken suffers from the hallucination that he is H.L.
Mencken -- there is no cure for a disease of that magnitude.
                -- Maxwell Bodenheim

H.L. Mencken's Law:
        Those who can -- do.
        Those who can't -- teach.

Martin's Extension:
        Those who cannot teach -- administrate.

                [No, those who can't teach, teach here.  Ed.]

Hlade's Law:
        If you have a difficult task, give it to a lazy person --
        they will find an easier way to do it.

Hoaars-Faisse Gallery presents:
An exhibit of works by the artist known only as Pretzel.

The exhibit includes several large conceptual works using non-traditional
media and found objects including old sofa-beds, used mace canisters,
discarded sanitary napkins and parts of freeways.  The artist explores
our dehumanization due to high technology and unresponsive governmental
structures in a post-industrial world.  She/he (the artist prefers to
remain without gender) strives to create dialogue between viewer and
creator, to aid us in our quest to experience contemporary life with its
inner-city tensions, homelessness, global warming and gender and
class-based stress.  The works are arranged to lead us to the essence of
the argument: that the alienation of the person/machine boundary has
sapped the strength of our voices and must be destroyed for society to
exist in a more fundamental sense.

Hoare's Law of Large Problems:
        Inside every large problem is a small
        problem struggling to get out.

Hodie natus est radici frater.